Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

20151030

Modern art was CIA 'weapon'

For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art - President Truman summed up the popular view when he said: "If that's art, then I'm a Hottentot." As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.

Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.

The existence of this policy, rumoured and disputed for many years, has now been confirmed for the first time by former CIA officials. Unknown to the artists, the new American art was secretly promoted under a policy known as the "long leash" - arrangements similar in some ways to the indirect CIA backing of the journal Encounter, edited by Stephen Spender.

The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world...

http://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html

20130511

Public Installation of Startling Statistics




'american kills' by chilean-born new york based artist sebastian errazuriz is a public installation showcasing the suicide rates of US soldiers. after searching on official war sites on the internet, he accidentally found out that 2 times more american soldiers had died in 2009 by committing suicide than those killed during that same year in the war in iraq; an alarming comparison that errazuriz had personally never read or heard about before.

http://www.mymodernmet.com/profiles/blogs/public-installation-of

20120312

Forgotten Man

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This might be touching if all the former presidents weren't all rich white men.

20110726

URGENT!! Sentinels of Liberty!

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Alternative Title: Captain America Recruits Scavenging Americans To Fight The Unholy Japs.

20110702

A Short Vision (1956)‬‏

This short animated film is Peter and Joan Foldes' second and last film together. Its bleak subject - the end of the world caused by a nuclear apocalypse - reflects a widespread preoccupation in 50s Britain which would soon lead to the Campaign for Nuclear Disarmament (CND).